It was a bumpy start to the day around here. I hauled upstairs four separate times to drag the girls out of bed. Their breakfast got cold on the counter, and when they finally did come down, they picked at it, one resting her head in her hand, the other closing her eyes while she chewed. The moved through the morning routine at a snail’s pace. Between them, they must have whined I’m tired, 25 times. Finally I snapped back: We’re all tired.
And then I thought, that’s the truth, isn’t it? We’re all tired. These days, it seems as if the answer to the obligatory how are you? is one of two things – busy or tired. I’ve written here about busy before. But why in the world are we so tired?
Of course, some of us suffer from illness or loss or are struggling to keep a family afloat on low wages with no support. But even for those of us with no excuse, there are some well-documented reasons. Recent research is making it increasingly obvious that schools start classes way too early and that teenagers would both learn more and be less likely to crack up their cars if we started school just a little later. Study after study also shows that Americans—and many others, particularly the Japanese—don’t get enough sleep.
I know I don’t get enough sleep. I willingly trade an extra hour under the duvet for the quiet dark of the house where I can think my own thoughts and brew a cup of tea before the rush of gathering lunch and homework begins, before the email starts flowing in earnest.
But all that said, I can’t help but think that part of our tiredness—the exhaustion we feel all the way to our bones—is more than just lack of sleep. I can’t help but think that the human organism is overwhelmed by the whole too muchness of things. Too much work, too much stuff, too much email, too many demands, too many bills, too many must-read articles, too many school forms, too many life-changing books, too many songs to download, too many helpful hints, too many choices of barbecue sauce. Too many, too much.
I have taken Gallup’s StrengthsFinder test a couple of different times, and both times I have scored off the charts on “Input.” This is how they describe it: “People who are especially talented in the Input theme have a craving to know more. Often they like to collect and archive all kinds of information.” You can imagine what this looks like in the information age. I could spend 24-hours a day scratching the input itch. Thankfully my children need to be driven to school
A psychiatrist who studies information overload, E.M. Hallowell, has identified what he calls Attention Deficit Trait, or ADT:
It isn’t an illness; it’s purely a response to the hyperkinetic environment in which we live….When a manager is desperately trying to deal with more input than he possibly can, the brain and body get locked into a reverberating circuit while the brain’s frontal lobes lose their sophistication, as if vinegar were added to wine. The result is black-and-white thinking; perspective and shades of gray disappear. People with ADT have difficulty staying organised, setting priorities, and managing time, and they feel a constant low level of panic and guilt.’
Difficulty staying organized? Check. Setting priorities? Check. Constant low level of panic and guilt? Check and check. But I don’t think it’s just me. Everyone I know seems to be fighting this battle in form or another. Everyone—as I rudely snapped at my daughters—is tired.
In those precious hours when I am awake and alone with my tea, I seek solace both in the silence of the dark and in the slow reading of poems. There are so many talented poets who have nailed the pacing and freneticism of contemporary life. They are masterful at the jump cut, the darting mind, the threat of the isolation and fragmentation. And I admire them and am grateful for their commentary. But I don’t seek solace with them. No. I am looking for the singular voice, speaking from her–or his–dark kitchen straight into mine. I am searching for a mind still intact. I am straining for a human voice—fleshy and tremorous and undigitized.
Blessedly, there is always warm comfort in Neruda’s Odes, like the “Ode to a Chestnut on the Ground”:
Out of the bristling foliage
You fell
complete:
polished wood,
glistening mahogany,
perfect
as a violin that has just
been born in the treetops
and falls
And Gjertrud Schnackenberg’s “A Gilded Lapse of Time”:
I lower my foot
As if a holy stream were running past,
As if the puddle held a rain-bright cross,
Then reach down to touch
This fragment of the northern hemisphere,
To riffle and disturb
An empty place the rain is rending,
A hole spreading above the world,
A drift of dark reflected—
And Derek Walcott’s “Bleecker Street, Summer”:
Summer for prose and lemons, for nakedness and languor,
for the eternal idleness of the imagined return,
for rare flutes and bare feet, and the August bedroom
of tangled sheets and the Sunday salt, ah violin!
When I press summer dusks together, it is
a month of street accordions and sprinklers
laying the dust, small shadows running from me.
Because I am all about input, now I have to ask: What are the poems that bring you comfort? That slow your breathing? That make you feel just a little less tired?
