Diaries Magazine

Fragments of Art: Not Necessarily Beginnings Nor Endings

Posted on the 19 December 2012 by Juliejordanscott @juliejordanscot

Assemblagecollecting2eIt has been a time of fragments of art rather than completions in art. I have been collecting and photographing and looking at the possibilities of bits and pieces.

I am still holding onto my pieces from my treasure hunting/mini retreat last week. I have them stored away and am waiting for them to demand to be created. My next step is pulling out the collected wood which will serve as a base. I might spray them with some sort of something to keep them from degenerating any further and then start to build.

AssemblageresultsinproeI just realized something interesting: I see a gender slant here. Most everything I see is masculine. Chew? I see as masculine. Ammunition? I see that as masculine. Why is this? Even the Marlboro cigarette case I see as masculine.

What might I surmise from that?

I’m going to ask the objects to help me figure that out. Maybe add some lace or something to the wood to give it a conventional layer of “womanly”.

Maybe I’ll spray paint using a doily as a stencil: the possibilities are nearly endless.

Amtrakview 3I was also surprised at how creative I made my train ride from Bakersfield to San Francisco. I was entranced by the view: it is so different than the view I regularly see from the car window. I literally would have been happy to jump off the train and explore… except I don’t think the Amtrak folks would have been very happy nor do I think I would have had so much time to explore San Francisco.

 

That will make many blog posts: how delectable it is there!

Now, dear ones - please come back and visit again so you may see how my fragments develop into assemblages or collages or bodies of work beying... just being fragments Ced-2012(1)without beginning, without end. They sort of just are.... being. Which isn't bad, either. 

Now that I have written it, I will more than likely remember it forever.

Reframe poetry

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© 2012 by Julie Jordan Scott

 


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