Welcome back to
Writing Belle, Davonna! It's a pleasure having you here again. What have you
been up to lately? Tell us about your new novel, "Winterbay Abbey".
Thanks for having me,
Summer! Besides playing my harp and taking enchanting photos for social media, I
just released a new novel this Fall, which I'm thrilled about. The book,
"Winterbay Abbey", is a modern Gothic ghost story that I co-wrote
with author John Bladek ("Lost in Ghostville", Capstone Publishing –
“Roll Up the Streets!”, Kane Miller). Inspired
by classic ghost tales, "Winterbay Abbey" is a contemporary thriller,
reminiscent of Susan Hill’s "The Woman in Black" (twice adapted for
film) and Alejandro Amenábar's
"The Others".
It also actually landed onto
the Amazon, Barnes and Noble, Kobo, and iTunes Top 100 Bestseller Lists over the
holidays, and went to #1 in ghost fiction on
Amazon, too!
The story follows
Seattle architect Will
Larson on his last chance to save his stagnant career: design a grand
restoration for a long-abandoned abbey. Looming above the breathtaking,
windswept coast of Maine, Winterbay Abbey offers a picturesque spot for a
charming hotel. But the locals harbor a peculiar distaste for the ruined Gothic
convent.
After witnessing a drowning within sight of the
abbey, Will wonders why the police seem disinterested in the case. He begins
looking deeper into the incident, gradually uncovering chilling secrets behind
the old nunnery’s walls. Will’s wife, Emily, becomes convinced the drowning is
a ghostly replay of a past tragedy. But their investigation into the abbey’s
frightening history soon becomes a desperate struggle to escape Winterbay’s
dark curse.
It's the perfect book to read
with a warm cup of tea in front of the fire this winter.
I personally love
books with a little chill, a little fantasy and a little mystery. Who are some
of your favorite authors/books?
I'm absolutely crazy
about creepy Gothic ghost stories, and I think we're starting to see some
revival in that genre. People still like to be scared, but many prefer these
tales without gore etc. Some of my favorites are ALL of Susan Hill's ghost stories, Michelle Paver's "Dark
Matter", and "This House is Haunted" by John Boyne – all
contemporary stories. I also love the classics, "The Turn of the
Screw", "The Legend of Sleepy Hollow", "Carmilla",
"The Picture of Dorian Gray", "The Fall of the House of
Usher", "Dracula", "Frankenstein". I could list
forever.
What was it like
collaborating with John Bladek for Winterbay Abbey?
Now that I've co-written a book with another author, I'm not sure I want
to write solo again. Collaborating is truly one of the best experiences I've
had in my writing career.
John and I live 300 miles apart, so we used Google Docs to bridge the
distance. We started with an outline and then took turns writing chapters and
then passed the manuscript to each other for full edits.
I can't over emphasize how wonderful it is to have instant feedback and to
problem solve with a writing partner. Novel writing is solitary and sometimes
difficult with having to manage an entire storyline in your head. While critique
groups are helpful, having someone who knows the story inside and out like you
do is invaluable and produces high-quality work.
How long did it take
you to complete the novel - from conception to finished product?
Exactly two years from conception to the publication date. Two months before Halloween in 2014,
John and I challenged each other to write a ghostly tale based on a list of
supposedly haunted buildings and locations in the U.S. We settled on a
combination of a haunted hotel and a lighthouse, which morphed into the
Winterbay Abbey setting along with its brooding lighthouse offshore.
What kind of research
went into this novel?
This novel, unlike my historical novella "Seeing Red" and my
historical fairy tale retelling of "Little Red Riding Hood" ("Scarlette"),
did not require as much research. However, we did investigate the Magdalene laundries
that inspired our setting, and John has a PhD in History, so he brought a lot
of knowledge to the table on the topic.
We chose
an abbey as the setting based on my research from my previous book, "Seeing Red". Set in the 1960s, "Seeing Red" tells the story
of a young woman navigating the "Mad Men" era in NYC. My investigation
into that period led me to discover a disturbing yet common practice for
handling many unwed pregnant girls. Their ashamed families sent them to asylums
or convents for the duration of their pregnancies to avoid public humiliation.
These
asylums comprised an expansive institution throughout Europe and North America
for much of the 19th and 20th centuries. They were an untalked-of secret that
society knew were places for “bad girls.” And they were often much more than
places where middle-class daughters hid from shame. For the poor, they could
become prisons with virtually no way out. Forced to purchase their freedom at
often exorbitant prices, some girls were enslaved for many years.
The
Magdalene asylums or laundries, Irish institutions run by Catholic nuns that
housed unwed mothers, prostitutes, and other “wayward girls”, became
popularized by films like the "Magdalene
Sisters" and "Philomena".
These movies dramatized life for the destitute and abandoned women
living in convents. The films, admittedly fictionalized accounts with some
accuracy problems, depict true horror, as women suffered incredible abuses and
were robbed of their children and their freedom. A mass grave uncovered in 1993
near one of the Magdalene laundries in Dublin, Ireland contained the bones of
155 forgotten women and children.
These stories
stuck with me, and John and I decided to make "Winterbay Abbey" a place of terror while integrating
in some of this history. However, “Winterbay” is a work of fiction and not
intended to depict any real events.
John Bladeck
Are you planning on releasing any more novels soon? Anything you're currently working on?John Bladek and I are at it again on two projects. We are in the middle of adapting "Winterbay Abbey" into a screenplay. Additionally, we are working on an action-adventure novel (set to release in 2019) in the same vein as the "Indiana Jones" films. This new project entitled, "Origin" is about a paleoanthropologist who has just discovered the possible existence of mermaids. We are super excited about it!
"Origin" is a very research-intensive project. I’ve already talked to a paleontologist to make sure the marine science aspect is sound, not to mention John Bladek and I are drawing on John's extensive anthropology/history knowledge. It’s important to get the science right, as this book grew out of my love for mermaids and wishing they had existed ever since I’d been a child. It’s been fun to come up with different scientific — and I will even say somewhat plausible — angles of how they could have come to be.
You live in Washington - a very rainy, very beautiful state! Have you found inspiration for your stories from the world around you?
Very much so. Writing "Winterbay Abbey" during the winter here with all its rainstorms and being close to the coast helped me channel the mood for the novel. Part of the story also takes place in Seattle around the neighborhood I live in, so yes, there is a lot of inspiration here!
Any advice for aspiring young writers out there who would like to see their own books in print?
If you are looking to have your book printed by a New York publishing house, be prepared for how long it could take to master your craft and research the right agent to get you in the door. I've known some people who took ten years to break in. Don't give up, though. Everyone who continues to keep trying in this business, eventually gets into print.
It's also crucial that you make friends with other writers. People in my critique groups from eight or so years ago have become my good friends, and those friendships have inadvertently led to opportunities in publishing.
In regards to independent publishing, I only recommend it to those who have some marketing savvy and are prepared to spend upward of $2500 for good editing, a cover, and marketing. It's hard to be successful without a product that competes with what you see in bookstores. Knowing your competition and having high quality is important. If you book isn't top-notch, you run the risk of damaging your reputation as an author and not being taken seriously by publishing professionals. I can't stress that enough.
Where can readers can connect with you online?
Davonna's:
Website: http://www.davonnajuroe.com/ Facebook: https://www.facebook.com/davonnaljuroe Twitter: https://twitter.com/davonnajuroe Instagram: @davonna_juroe
John's:
Website: http://johnbladek.blogspot.com/ Facebook: www.facebook.com/JohnBladekAuthor/ Twitter: https://twitter.com/JohnBladek
Thank you so much for visiting with us, Davonna! Always a treat!
Thanks for having me and Happy Holidays!
All images provided by Davonna Juroe